Born in Brooklyn, NY in 1967, Michele Brody received her BA from Sarah Lawrence College in 1989 and an MFA from the School of the Art Institute of Chicago in 1994. Utilizing her strong background in the liberal arts, she creates site-specific, mixed media installations and works of public art that are generated by the history, culture, environment, and architecture of a wide range of exhibition spaces. While living and working in such places as France, Costa Rica, California, the Midwest, Germany, and her home of New York, her art career has developed into a process of working in collaboration with each new community as a means towards developing an interpretation of the sense of a place as an outsider looking in.
Michele Brody has had one-person shows at the Temple Judea Museum in Elkins Park, PA, Chashama, in NYC, Littlejohn Contemporary in NYC, Dina4 Projekte in Munich, Germany, the Museo de Arte y Diseño Contemporaneo in San Jose, Costa Rica, and at Le Quai de la Batterie, Atelier-galerie d’Art Contemporain in Arras, France.
She has been the recipient of grants from the Mid Atlantic Arts Foundation, Lower Manhatta Cultural Council, Pollock/ Krasner Foundation, New York Foundation for the Arts, and New York State Council on the Arts’ Architecture, Planning & Design Program; and, residencies at the Skowhegan School of Painting and Sculpture, Marie Walsh Sharpe Art Foundation, the Headlands Center for the Arts, and at Marywood University.
In the spring of 2006 she completed two major permanent public art installations in The Bronx. They consist of a series of faceted glass windscreens for an elevated train platform with the MTA Arts for Transit program, and a hand painted tile mural for a new school through the Public Art for Public Schools program. She has also installed a uniquely designed manhole cover in the sidewalk of Wall Street in commemoration of the Assay Office that once stood at 30 Wall Street.